Monday, January 30, 2012

Lucas drops a bomb with "Red Tails"


Red Tails @ Fox Little Theatre 2
The Movie: 1 of Five Kernels
This Tuskegee airmen retread wastes the talents of a great cast of black actors in service to a script that would’ve felt corny during WWII.
The Pop: N/A
The Film
            Diminshed returns, it’s the best way to describe George Lucas’s film career. His first feature film THX-1138 adapted from his very ambiguous short, showed a stylish vision of a dystopic future in a progressive cinematic language. After it bomed at the box office Lucas mined his childhood for warm feelings which gave him the clout to make Star Wars. Now I like Star Wars, but while its ambitious in its technical scope, its storytelling is rote, solid, but rote. After that Lucas wisely stepped away from the directors chair and the writers quill and he served as an enabler. He facilitated grand visions, that were fleshed out by superior story tellers. Unfortunatley Lucas hasn’t been content to remain a producer and we end up with films whos lofty ambitions are dashed by a lack of prowess.
            The tale of the Tuskegee Airmen, the only black pilots in WW II, is a sad epic deserving big screen treatment. Originally it was envisioned by Lucas as a potential trilogy, but he ended up focusing on this single film to encapsulate the vaunted group of pilots who defended a nation who treated them like second class citizens. HBO several years ago made a great film which barely covered the actually aerial combat aspects, but focused on the social issues back in America. Lucas argued that studios balked at financing a film of this scope with an all black cast, I admit that global markets definitely do not react as well to black casts, but the career of Tyler Perry testifies to the fact that there is definitely a market for those kind of films. The real mis-step though is at the script level. The corny script pervades the rest of the film and sucks the life out of it.
            The story revolves mainly around two pilots and two officers all of them struggling with being black in a white man’s army. The officers are trying to secure the pilots better assignments, higher value targets. The pilots are busy chasing after any glory they can find in front of their gun scopes, while struggling with alcoholism, and love on the ground. There are also some other pilots and a mechanic who have a fair amount of banter, but could’ve easily been named comedic sidekick 1 & 2 or cannon fodder. There is also the one pilot (Michael from “The Wire”) who ends up basically in Billy Wilders Stalag 17. These pilots though prove themselves in the air enough to earn a mission protecting bombers. Their mission is to stay with the bombers and make sure they’re safe, because the Nazi’s (George Lucas’s mortal enemies) have been sending in diversionary planes to draw the fighters off and attack the slow moving bombers. The airmen do great at their new mission and earn the respect of their white counterparts. Now though the Germans have JET POWER, and the airmen have to do the best they can do in their older, slower planes to win the war.
            At its core if you carve out a ton of the trite bullshit forced into the script, it’s a solid story about black pilots succeeding where their white counterparts failed. About overcoming not just racism but feelings of inferiority, and how it would shape the future of the civil rights movement. It hits a great laundry list of issues, but it never manages to make you care about any of it.
            The films cast is great, there are several young actors from “The Wire” as pilots, Bubbles is the mechanic, the two leads deliver solid performances as well. Terrence Howard and Cuba Gooding Jr as the officers both seem to be half asleep through their performances, maybe aware of how shitty the a script they’re working on. The actors do their best, and their rapport works well enough to keep you vaguely interested, but as the film gets more and more convoluted nothing can save it from irrelevance.
            The one place the film does soar is its aerial combat. It should come as no surprise that the magicians at ILM did a great job at bring to life WWII dog-fights. The company was ostensibly created to recreate WWII dog fights as space battles, so they’ve ironically returned to recreating the original material with much more high tech toys. That being said I’m a big fan of aerial combat, I will happily watch documentaries with crude recreations of dog fights, but I cared so little about the consequences or the fate of the characters that the footage was less than thrilling. Also, the editing of the sequences left something to be desired. Oddly enough if you look at the recent Aviator and Flyboys you’ll see far superior aerial sequences.
            Flyboys, is important in my view to bring up. It’s a recent film about aviators in a world war that while also stymied by a mediocre script ended up being MUCH better then Red Tails. Both were films that studios didn’t want to finance and both could’ve been better. It’s odd though to hear Lucas play the race card when a similar film, with similar themes and a similar idea can’t get financed either. However when Flyboys failed to fly, no one blamed the audiences for being racist, nor did anyone decry the quality of the film, it wasn’t praised or panned really. The built it audience for these films though is razor thin, and to expand that, you have to bring something special to the table, which Red Tails definitely failed at.
            For all of the films technical prowess is both a help and a hindrance. Sure the script was corny, but great performances might’ve warmed you up to it. However it’s a lot to ask actor to work around a bad script and bad direction. The film reeks of green screen and is filled with bad composites. You can tell the actors have no context for their situation, they don’t feel immersed in the action, and so the audience doesn’t either. That’s one of the lessons Lucas never cared to learn, actors are the real special effects in a film.
The Pop:
I got to see this at a screening on the Fox Lot, its kind of fun to go out there and walk past the building holding the Simpons writers, but also a bit of a hassle.

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