The Descendants @ Arclight Hollywood
The Movie: 4 of 5 Kernels
Heart felt subtle approach to a series of complex issues
with a series of nuanced and wonderfully realized performances against the
mundanely exotic Hawaiian backdrop.
The Pop: 4 of 5 Kernels
Home brewed Coffee, Store bought M&M’s, Buttered Popcorn
The Film:
Alexander
Payne is undoubtedly a talented filmmaker who takes great care in exploring
cultures and developing great characters who fall apart usually due to their
subculture. In Election it was the
school culture, Sideways was about oenophiles, and Descendants explores the suburban Hawaiian. The protagonists of his films are far
from perfect and they struggle to make the right decision and to deal with the
consequences of their bad decisions. Payne has been absent from the feature
world for seven years, luckily he’s returned to the silver screen with a
poignant tale that has lessons to teach everyone about how they treat the
people and land around them.
The film starts with an image of Elizabeth King, her hair
blown back by the speed of her vessel darting across the water looking serene
and wonderful. The next time we see her she’s in a coma, as devoid of life as
she was full of it. Matt King her husband juggles his wife’s health, his new
role as single parent, and a significant land deal that will pay out huge sums
of money to him and his cousins, but could hurt the local community. Matt
discovers, from his oldest daughter, that Elizabeth was cheating on him. Matt
finds out who the man was and he takes his daughter’s on a trip so he can see
the man face to face, and give his wife’s lover the chance say good bye to her
before she dies.
The
film’s plot bear many of the hallmarks of a soap opera, a dysfunctional family
with a wealthy patriarch, a cheating wife, trouble daughters, family
inheritance and even a giant land deal. However maybe because its based on a
novel or maybe because the screenwriters wanted to take a mature melodrama free
(light) approach, the film is anything but a soap opera. It’s a study of
Hawaii, of human nature, and of relationships and their fleeting existence.
There is a depth to the story it reaches for something bigger then itself and
its aspirations pay off. The film’s strong individual elements truly come together
to form something special.
I
give a ton of credit to Payne for the masterful film. I admit there were times
I felt the movie dragged, but I would never wish for the movie to be paced
differently. It lingers on faces and reactions, landscapes, and it’s lingering engages
the viewer. The screenwriters also deserve kudos for taking such complex
subjects and finding ways for the characters to embody and express the greater
themes at play. The real tour de force though are the performances, each one a
gem. Of course Clooney is great, its one of his finest performances, he weaves
stoic, anger, sadness, with warmth, joy and that wry manic edge that Clooney
does so well. Holding her own with him is Shailene Woodley as his daughter,
Alexandra, she really does a lot of the heavy lifting and she manages to be
both real and charming.
I know little
about Hawaiian culture, but it was wonderfully edifying to see the place
depicted as a place where people live and work, rather then just a back drop
for vacations, cop shows and war movies. That vibe, that rich history, informs
the film in a special way.
This
film may be obscured in the years end award push. It avoids the histrionics
that usually get Academy Awards. The film is gentle, it does not stir the air with
strum and vigor instead it sounds its mellow drum and invites you to soak in
its vibes.
The Corn
I’ve become
quite a coffee drinker over the past few years, and while I wouldn’t call
myself a coffee snob, I’ve definitely gotten used to drinking good coffee. I
recently wasn’t able to find the beans I wanted so I bought some alternate
brand, big mistake. Luckily Cosco restocked their beans and I was able to get
some delicious French Pressed coffee made. It’s an interesting pairing with popcorn
and chocolate.

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